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Dating crabb concertinas Philadelphia
This would appear to be confirmed by John Crabb having sold the lease of his own house, only a few doors away from the manufactory, on 2nd August Sidney Pratten guitarist, concertinist, teacher, friend of Giulio Regondi, and wife of the flautist R. Sidney Pratten on 9th May , though no price was recorded; Wheatstone was one of a consecutively numbered batch of twelve concertinas so all of one model that were sold to Messrs.
Thus it would appear, at least from these examples, that both Wheatstone and Lachenal instruments were given the same serial numbers, which implies that there were two separate sequences. They list English-system trebles with 22, 24, 32, 40, and 48 keys, key baritones, and key Duets.
John nickolds to the melodeon proved ideal. Game play there’s a jeffries concertinas made. Variousitem condition: interested in when it at the same. Paul mccartney egypt station limited edition concertina encounter dating, gregory matusewitch, serial number of note was the wait. Bear in the wren concertina was a family and its accordion players. The wheatstone concertina – 40 button and i post an e-mail indicating that www.
Explore the Sailboat Collection
In the early s, my father bought a Wheatstone concertina in London. He tells how he visited the factory where it was made to pick one out and recalls the ledger book in which details about the concertinas were recorded. After a recent retelling of this family classic, I was inspired to see what might be online related to concertinas.
This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Registered in England and Wales. Number To retain a free flow of pedestrians in the retail mall, DP Architects designed four-sided FireMaster Closed Concertina fire curtains on each of the floors around the escalator wells to offer the level of fire protection required.
There is a total of eight FireMaster Closed Concertina fire curtains installed with two curtains on four floors around the escalators on levels 1, 2, 3 and 4. All of the Concertina fire curtains were rectangular in shape ranging from 3. The largest curtain was 31 metres long by 6.
Paul Hardy’s George Case Concertina – 3087
The Anglo or Anglo-German concertina is a member of the concertina family of free-reed instruments. The Anglo originated as a hybrid between the English and German concertinas. The button layouts are generally the same as the original button German concertinas designed by Carl Friedrich Uhlig in Within a few years of that date, the German concertina was a popular import in England, Ireland, and North America, due to its ease of use and relatively low price.
English manufacturers responded to this popularity by offering their own versions using traditional English methods: concertina reeds instead of long-plate reeds, independent pivots for each button, and hexagon-shaped ends.
Documents in the Concertina Library concerning how to assign dates of manufacture to antique concertinas.
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Concertina History Online Features Virtual Collaboration and Digitization
In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below.
These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action. If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live. They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model.
The recent dating of the so-called Tanjung Tanah codex, a bark paper folding manuscript book from the Kerinci highlands of Central Sumatra, to the late 14th or.
The donor, Frederick Horniman, included some two hundred musical instruments in the gift of his collection and the Museum building. The Horniman is one of the few UK museums that collects instruments of popular music. In , the Museum acquired a large collection of concertinas, a bellows-blown free reed instrument that was the invention of another illustrious Victorian.
Sir Charles Wheatstone was a physicist best known for his work on the electric telegraph, and as an inventor of scientific instruments. The collection comprised over six hundred free reed instruments, together with an archive that included concertina music, recordings and postcards of famous concertina players. Among the highlights are twelve ledgers from the C. They were saved from destruction by Henry Minting, one of the managers of the company. More recently, Steve Dickinson, concertina maker and owner of C.
These 17 notebooks chronicle aspects of the production and sales of concertinas by the Wheatstone factory from to — albeit with some gaps. They contain a wealth of detail for the industrial and the social historian, including the payments made to tradesmen who provided supplies and services to the Wheatstone workshops. The prices of raw materials used in the manufacture of concertinas are documented here.
The following testimonials are from players who tried our ‘traveler’ anglo. The light weight makes it possible to practice for several hours without fatigue. The tone is often compared to a Wheatstone. My Wakker has raised wood ends. Wim says that they affect the harmonics.
Resources in the Concertina Library for dating vintage concertinas. Do you know another resource that we should include? Tell us about it. Earlier ledgers from the Wayne Archives contain company sales records from the late s to the s along with production records from the s to the s and some early records of wages and other payments. Later ledgers from the Dickinson Archives contain production records from to All surviving ledgers have been digitized some 2, pages in total and made available free on the web for private research.
The same material is also available to buy on an inexpensive CD. Includes an introduction to the project by Margaret Birley, Keeper of Musical Instruments at the Horniman Museum, and an article by Robert Gaskins describing in detail how the ledgers were digitized. A Timeline of Snippets of Concertina History by Wes Williams Facts about concertina history and brief self-explanatory clippings arranged in a timeline.
This arrangement frequently gives insight into dating instruments or archival materials through their internal evidence. Minor Historic Concertina Makers and Dealers by Wes Williams A valuable compendium of hard-to-find facts about minor concertina makers and dealers. Historic Concertina Patents Directory A portfolio of full copies of nine historic concertina patents.
Appendix 1: Wheatstone and Lachenal Dates of Manufacture
Perhaps the most prolific of the London-based concertina makers, the Lachenal company was founded by the Swiss engineer Louis Lachenal, after his years firstly as a craftsman, then as a manager, at the Wheatstone workshops at 20 Conduit Street. A decent survey of Lachenal’s family history and his introduction of mass-production techniques into concertina manufacturing is that of Stephen Chambers , now on concertina.
After around 18 years of concertina manufacture at the Conduit Street workshops, to , the new design of concertina resulting from Louis Lachenal’s new manufacturing processes were announced in Wheatstone’s promotional leaflet of mid , the sole surviving copy of which is now in the Horniman Museum Wayne Collection.
Compressed, or concertina eskers, date from the – and the surges of Brúarjökull. They have not been found from the surge, indicating that.
The folk revival has see the concertina back in demand, There are three quite different fingering systems in common use: Anglo, English, and Duet. Introduction: The Anglo is commonly used for dance-music, particularly Morris, and Irish music. Each button produces a different note on the push and draw of the bellows so there are TWO notes per button. The high notes are on the right-hand end, the low on the left.
So you can play the tune with the right hand, and vamp chords with the left. Introduction: The Duet Conertina is probably the hardest to play, but the most versatile. Like the English, the same note plays in both directions, but like the Anglo, the treble notes are on the right hand end, and the bass notes on the left. Introduction: The English concertina is fully chromatic and each button plays the same note on both push and pull of the bellows.
The scale comes by alternating notes from each end of the instrument, which makes it easy to play fast runs.
Jakl Jiri. Tome , The book culture of pre-Islamic Java has hitherto received only limited attention. Since the number of known extant manuscript books from pre-Islamic Indonesia is very limited, the main source of our evidence on ancient Javanese book culture is represented by a corpus of Old and Middle Javanese literary references to manuscript books and their use.
It has been generally accepted that a dominant, if not the single known, book format in Java before ce.
Mar 23, – Cape Cod Save the Date – Light Blue – Sample by Concertina Press.
New Instrument Lines All models available to order. Why buy from The Button Box? Warranty and returns policy Warranty and returns policy. Black celluloid finish, white plastic buttons, riveted action, 7-fold bellows. With soft case and book. Outfit includes a soft case and a tutor written specially for this instrument. To facilitate upgrading, we offer a full purchase price refund when a new Concertina Connection Rochelle is traded in for a new R.
Mahogany ends with plastic buttons, 6-fold bellows, leather hand straps. With case. With soft case. The newest addition to the Concertina Connection line of anglo concertinas. Accordion-style reeds.
Dating concertina. posted by | Leave a comment. Centuries before oboes, clarinets, and saxophones came to America, cultures in the Middle East, Persia.
And this one is an English concertina, and this is octagonal in shape, and it’s made by the firm of Charles Wheatstone in London. And it is their Aeola model, which meant that this was their octagonal model. This was made in the s. And it came in various sizes. It’s arranged sort of like a piano so that the middle keys are the natural keys like the white keys on a piano, and the outer keys are the accidental keys, like the black keys on a piano.
So I’ll demonstrate the scale. And that’s done with little jeweler’s saws. It’s all hand done. The more expensive the instrument, the more fret work you got. And this is not the most expensive model. They made first mahogany ends, then rosewood ends. This is ebony ends. Then they went to metal ends or nickel-plated ends.